Why Would Adults Read YA?

By Tamela McCann

Why would an adult spend time reading books meant for teenagers? What is it about young adult literature that makes otherwise reasonably well read, mostly mature people put aside the books written specifically for them and gobble up stories featuring characters much younger doing things only teenagers can? Is it the storylines? Is it the characterizations, the sense that you somehow *know* these people? Is it the sense of looking back to vanished youth, wishing you were still there but grateful that you aren’t? Or is it the fact that books for young adults are simply well-written, identifiable tales, no matter what your age?

Yep. That’s pretty much covers it.

I’ve always read children’s literature and young adult books, even in that long ago time when I had no children of my own and my “excuse” was that I was a middle school teacher who needed to be in touch with what was out there. The fact is, young adult literature still speaks to me, even though I left my own young adult years a while ago. Whenever I find myself in a reading funk, I can pretty much rely on a YA book to pull me out. No matter the genre, it’s the characterizations that drive young adult lit, and it’s that force that sucks me in. Even in the wildest of settings, there’s a sense of been there, felt that, that comes through; the knowledge that someone else understands your particular pain or situation climbs right out of those pages and grabs hold. There’s a sense of shared experience with young adult books that transcends the book itself as well. I remember surreptitiously passing Judy Blume’s Forever back and forth in junior high; not one of us even had a boyfriend, let alone were considering sex, but it was the idea that someday we might actually do the deed that kept us passing that book so that we all might know what was ahead.

So here I am, some (cough) years past the time I was age appropriate for reading YA books, still reading and loving everything about them. It’s one of the first areas I prowl when I go into a bookstore, and walking into our middle school library still makes my heart race with possibilities. The sight of a school book fair has been known to make me drool like Pavlov’s dog. I could go all scientific and try to analyze just why I find the young adult genre so engrossing but honestly, I don’t care. I just love young adult literature, and I know that nine times out of ten, I’m going to become totally engrossed in the story, whether it’s realistic, fantasy, or historical.

One of my reasons for writing this column is to share some of my favorite YA books and to hopefully hear from you guys what yours are. This month I’m psyched beyond all reason for the third book in The Hunger Games trilogy, Mockingjay, which comes out August 24 (and which I pre-ordered months ago). The Hunger Games is the story of Katniss Everdeen (love the name!), a teen who lives in Panem, the nation that grew out of what was once North America. In order to remind the nation of the Hunger, a desperate time when
there was no food, the Capitol has established The Hunger Games; each of the twelve Districts send a boy and a girl to the Games to fight to the death until only one survives. When Katniss’s younger sister is chosen, Katniss substitutes herself but she is far from resigned to her fate. Realizing that it’s as much about entertainment for the masses as it is about history, Katniss and her partner Peeta learn to play the Game and work to circumvent everything the Capitol throws at them. The Hunger Games kept me on the edge of my seat; Katniss is a strong protagonist whose quick mind and startling skills makes this book so much more than just a fantasy. It’s survival of the fittest but only one can win.

I was lucky enough to have to wait only have a couple of months after finishing The Hunger Games for the sequel Catching Fire to arrive. The nature of Catching Fire taking place at hinges on the ending of The Hunger Games so I won’t spend time recounting the plot. I did read some reviews that suggested that Catching Fire wasn’t quite as exciting as The Hunger Games, but I found it just as enthralling because though there are similarities, there is also character and plot development that set us up for the third installment. Suffice it to say that there is a return to the arena where things go horribly awry once again. Ending on a huge cliffhanger, Catching Fire did just that for me; I swear I felt feverish in my excitement and desire to know how it’s all going to end. August 24, come on! Don’t you publishers understand I *need* this book right now?

If you haven’t picked up a YA book in a while, do yourself a favor and grab The Hunger Games to see what you’re missing. YA isn’t just teenage angst; it’s about the world(s) and our place(s) among the rest of humanity. I guarantee that you’re going to identify with that no matter what your age.

Other recommended books for this month: Evernight by Claudia Gray, Shiver by Maggie Stiefvater, Wolf by the Ears by Ann Rinaldi, Looking for Alaska by John Green, The Face on the Milk Carton by Caroline B. Cooney.

Author Interview: Elizabeth Chadwick

Interviewed by Tamela McCann

Welcome to my inaugural historical fiction column! I’ve always loved historical fiction and it’s my hope that with this column, I can share some of my favorites I’ve read over the years and learn of even more from you guys. Though my favorite subject is British history, I’ll pretty much read anything historical. If it happened in the past, it’s bound to pique my interest.

In this first column, it is my delightful honor to bring to you an interview with Elizaberth Chadwick, author of some of the very best historical fiction out there. I’ve been reading Ms. Chadwick’s novels for years and can tell you she’s only getting better with each novel. Any time anyone asks for a good historical fiction author, she’s my go-to gal. I even make it a practice to turn her books facing outward on bookstore shelves because I believe everyone needs to be reading her works! Her novels are generally set in the twelfth and thirteenth centuries in England and most of her newest novels involve real people and situations. Beyond being a terrific writer, she’s also very warm, witty, and open.

TM: Your latest novel, To Defy a King, (available in the UK) is about Mahelt Marshal Bigod. What surprised you most about her?

EC: I wasn’t so much surprised, as very interested in the way that different family dynamics played out. At home Mahelt was the beloved firstborn daughter. A real daddy’s girl who had a fine sense of her own worth and who had been a little spoiled being for a while, the only girl among four brothers. She was about seven before her next sister was born. Even while children, especially daughters had to do their duty and marry where they were told, and even while there were boundaries, nevertheless, there was leeway within those parameters, and Mahelt had been indulged. When she married and entered a family where the world no longer revolved around her, and where rules were more rigid, she had a hard time adapting, especially as she was also at that difficult adolescent stage. So it was fascinating to see how she coped (or didn’t) with her new circumstances, and the same for the family she married into. Some of them, especially her father in law, found having her live with them, rather like having a firework exploding in a library!

TM: Your latest novels are based on real historical figures–John Marshal, William Marshal, Roger Bigod. Why did you begin to focus on actual people rather than those you created yourself?

EC: There were two reasons. One was a commercial decision. In the mid 90’s, historical fiction hit the doldrums and my sort of historical adventure fiction went through a difficult time. I was still keeping my head above water, but I saw a lot of friends sink at at that time. However, biographical fiction suddenly took off, The Other Boleyn Girl being the forerunner, and I recognized that this was the future. I had also been considering writing biographical fiction for some time of my own accord. I wanted to get my teeth into something meatier as my career progressed. It was just a matter of having the confidence to do it.

TM: Do you have a personal hero/heroine from history? And is there someone you’ve discovered that you absolutely despise? Why? And who is the strangest person you’ve encountered?

EC: This is going to sound odd, but I don’t think I actually do have a personal hero or heroine. There are people I deeply, deeply admire in history. William Marshal and his father John – I have written about both. The Empress Matilda and Adeliza of Louvain, who are my subjects at the moment. There are aspects of their stories that show me what remarkable women they were. However, there are so many stories untold or yet to be discovered and so many people, often unsung who have done the most amazing things, often filled with self-sacrifice and devotion to their fellow humans. The strangest person would probably be Ralph the Farter, a character who appears briefly in To Defy A King. His lands were held from the king for the task of coming to court every Christmas and performing ‘a leap, a whistle, and a fart’ for the king’s entertainment.

As to a character I despise. Well, that’s a bit too harsh a word, but if there was one I’d rather not spend time with, it would be King John. I know he probably had his good points. He was a keen reader for one thing, and I’m sure I could have a lovely conversation with him about nice jewellery because he was all for gems and bling, but I wouldn’t trust him as far as I could throw him. Other than his reputation for having murdered his nephew and having hounded and starved to death Maude de Braose when she accused him of the murder, it’s good enough for me that the great William Marshal (who’s sons John took hostage) told John’s heir, Henry III, that if he ever behaved as his father had done, he wished him a speedy death. As some readers may know, I use the Akashic Records as part of my research, http://www.elizabethchadwick.com/akashic.html. My investigations into the personality of King John via this medium have corroborated William Marshal’s opinion.

TM: Your novels typically take place in the eleventh or twelfth centuries. What is it about that era that intrigues you?

EC: I became interested in the period in my teens when I fell for a knight on a TV programme and it’s a passion that has stayed with me and deepened as I’ve continued with the research. My first ever attempt at historical fiction was inspired by Keith Michelle in The Six Wives of Henry VII, and it was a Tudor story. If the knight hadn’t come along, who knows, I might have been ahead of the game in writing Tudor biographical fiction. I also considered writing Regency at the start of my career when I had a passion for the novels of Jane Aiken Hodge. I now have almost 40 years of research under my belt with reference to the 12th and 13th centuries, so to start again in another time period, I’d have to do a lot of reading to bring myself up to that standard of research. I might consider going earlier or later by a hundred years either side, as these timescales are within striking distance of the research.

TM: You say your novels have soundtracks (blog site: http://elizabethchadwicksoundtracks.blogspot.com/). How does that work? Does the song or the story come first?

EC: Music has always had a strong pull for me. Right from the moment I wrote my first novel as a 15 year old, I have used songs as a way of understanding my characters and getting into and developing their emotional lives. Songs in themselves tell stories - frequently of deeply or strongly held feelings and I harness the resonances in lyrics and music as part of my creative process. I had popular music soundtracks to my novels long before film makers started using them regularly in blockbusters, on TV and to sell cars and insurance! Indeed, I was rather miffed when the Heath Ledger film A Knight's Tale came out, because it had pinched my way of marrying the medieval story with the medium of the rock song!

As to which comes first: It’s a blending of strands. So for example, I used Kiki Dee’s “Amoreuse” as the main lovesong in To Defy A King. The lyrics and the ambience exactly suit the moment. I played it over and over to fix it in my subconscious, and I took the image of some of the lyrics like a colour on an artist’s pallete, to write a scene for the couple filled with light and clarity. When all the barons were fighting for position and the country was going to hell in a handcart over the Magna Carta crisis, I happened to hear Seether’s “Fake It” (the uncensored version) and it so suited the mood of the moment that it had to go on the soundtrack.

TM: What are you reading now? Anybody you’d like to promote to historical fiction lovers?

EC: Sea of Poppies by Amitav Ghosh and absolutely loving it. It has a flavour of M.M. Kaye’s Far Pavillions. There is a lot of slang in the dialogue, which I thought added to the texture, but some readers might find it a bit much. But with that caveat (which doesn’t bother me in the least), I think it’s wonderful. It has definitely won a place in my ‘Historical fiction hall of fame.’ I have also recently enjoyed Mudbound by Hillary Jordan, Wolf Hall by Hillary Mantel, and the wonderful Sourcebooks re-issue of Cecelia Holland’s Great Maria. I really relished that one.

TM: I’m so excited that your books are now starting to become available here in the U.S.. Any news on which ones may be released here soon?

EC: For the King’s Favor is published on September 1st by Sourcebooks (it was titled The Time of Singing in the UK), and To Defy A King comes out next March. Then there’s another title, as yet undecided for the autumn. If all goes well, Sourcebooks will continue to publish more. They will also be available on Kindle as Sourcebooks publish them.

Elizabeth Chadwick’s blogs:
http://livingthehistoryelizabethchadwick.blogspot.com/
http://elizabethchadwicknews.blogspot.com/
http://elizabethchadwickreference.blogspot.com/
www.elizabethchadwick.com

Check out the following titles by Elizabeth Chadwick: